Tuesday, May 14, 2013

Local Body Tax - LBT - deciphered ! ( Maharashtra )


What is LBT?
  • LBT stands for Local Body Tax, which has been introduced in most of the municipalities and corporations in Maharashtra,  in lieu of Octroi or Cess. 
  • It is a levy under entry 52 in the State list of Schedule VII of the Constitution of India, on the entry of goods into a city limits for the purpose of consumption, use or sale therein. 
  • Thus, the recent agitations against LBT, a levy, which is constitutionally valid, have given rise to questions as to the root cause of the agitations.
Then what is OCTROI ?
  • Octroi is a levy which was prevalent in Roman times. 
  • It was extensively used as a tax tool in Europe till World War II. 
  • Now, it is almost extinct except in Ethiopia and Maharashtra (a true reflection of comparable development of the economy or the situations of drought). 
  • Other states in India have done away with this levy and they share a portion of the Value Added Tax (VAT) or Sales Tax (ST) with the local bodies.

How does LBT work? 
  • It works differently from the octroi system. 
  • Traders have to compile a list of all goods procured within the month, feed the matter into the software provided by the civic body to check their LBT liability. 
  • They have to make payment once every 40 days using online portals, cheque, demand draft or cash through a designated bank or counters of the civic bodies.

Significance of LBT 
  • LBT will be the main source of income for civic bodies. 
  • It contributes between 50-70 per cent of the actual revenues of the corporation. 
  • The Pune Municipal Corporation collected Rs 1314.27 crores by way of octroi for the financial year 2012-2013, while the Pimpri Chinchwad Municipal Corporation  collected Rs 1200 crores  in the last financial year.

But why are they protesting if LBT is 
merely replacing octroi? 

  • The traders’ contention is that octroi abolition and imposition of LBT simultaneously is a betrayal. 
  • With VAT in place across the country, a double-tax regime is not acceptable, they say. 
  • Prices of goods are affected by VAT as well as by state or municipality-level taxes.
  • Also, complying with various rules on self-declaration, record maintenance, account books, etc could be an added cost under the LBT regime. 
  • Government sources say tax evasion under the octroi regime was simpler, another reason traders are opposing LBT.

Have all Maharashtra municipalities 
imposed the tax? 
  • Out of the 26 corporations, 24 have migrated to LBT. Mumbai and Nashik will do so later this year.
 SC verdict on LBT ?

a writ was filed by Federation of Trade Associations of Pune (FTAP) in Supreme Court (SC) against the state government decision to replace octroi with LBT.

SC refused to impose a stay on the Govt decision !!!!

Why some people call it darconian ?points against it ?
  • LBT is a draconian Act, especially with key words like ‘goods’, ‘dealer’, ‘business’ loosely defined in the legislation, giving enough scope for the administrators to stretch their imagination to fanciful limits to the common man’s harassment and dismay.
  • The Bombay Provincial Municipal Corporations Act, 1949,  the Act that gives right to levy LBT, as such does not have a penalty-limit prescribed for any violations relating to LBT, though there is an elaborate Annexure prescribing the various penalties. That shows that penalty cannot be levied legally.
    However, the Rule 48  framed under this Act, quantifies the penalty that can be levied in different cases. Thus, the said Rule is ultra vires the Act.
  • Another point against LBT is the cascading effect of teh Tax. Unlike excise or service tax or VAT, there is no concept of set-off or input credit.
  •  Another reason against LBT is that there is no time-limit that is specified for completing the assessment of the firms. In such situations, the dealers may be kept in suspense as to their liability to maintain books and records. 
  • The Act is not a comprehensive Act that is well worded or suited for taxation. 
A possible solution to this fiasco ????

·         


    They should bring in the changes in legislation to repeal LBT and make suitable changes in VAT so that the local bodies do share  revenues the state government derives from VAT.




This will ensure that the administration frees itself from the task of collection of addition tax and other related administrative work. This will also help the dealers of additional hassles of payment of tax, filing of return, surveys, raids, check posts, assessments, appeals etc. and also dealing with one more Government body prone to corruption.  

 



Saturday, May 11, 2013

SRI AUROBINDO -- Vyakti Vishesh


SRI AUROBINDO - WHO SAW THE FUTURE OF MAN*

Sri Aurobindo, a flaming revolutionary and prophet of Indian nationalism, poet and a Rishi, the was also a philosopher of tremendous power with a world-view astounding in its profoundity.Aurobindo was indeed a unique personality.

His magnificent intellect and his yogic experiences combined to produce a number of remarkable works in prose and poetry which are becoming increasingly relevant as the century moves towards its close.



Early Years


  • Sri Aurobindo was born on 15 August 1872, in a very anglicised Bengali family of Calcutta. His father had an aversion to everything Indian. At the age of 5, he was admitted to an Irish nun's school at Darjeeling. Two years later he was taken to England in the care of a clergyman with strict instructions that he should not be allowed to make acquaintance of any Indian or be exposed to any Indian influence.
  • At the tender age of 12, he had read Homer, Aristophenes, Dante, Goethe and French poets. Indeed he ranged over the whole field of European thought.
  • But as his father had run out of funds and Aurobindo's scholarships could hardly support him, he entered into the ICS. 
  • But even with its tangible material rewards and prestige of belonging to the ruling class, its charm wore off while he was still undergoing his probation. But he knew if he resigned straightaway, it would break his father's heart. So he sought a way out and purposely failed to appear for the compulsory riding test and so was disqualified for the ICS.

He had realised by then, that his real interest is in poetry and literature and patriotic action. The days of King's College had sowed the seeds of patriotism in him. Although he liked English literature, but disliked English rule.

A New Direction


  • After returning to India, while he was with Baroda State Service, he took little interest in the politics. During this lean period of his life, he learnt many Indian languages including Bengali, his mother tongue, for which he was alien hitherto. It was during his visit to Bengal that his mind shook to the core to notice the cynicism of the middle classes, whose only aim in life seemed to be `the happiness of the relatives and the family'.
  • In the beginning, he could do nothing more than establishing contacts with the underground revolutionaries in Maharashtra and Bengal. These dangerous forays gave him some satisfaction. 
  • But the real change came in 1905 in the wake of the partition of Bengal. His scene of activity shifted from Baroda to Calcutta. 
  • His articles in his own Bengali paper Yugantar and Bipin Chandra Pal's Bande Mataram expounded the philosophy of Indian nationalism with a daring sharpness and eloquence. 
  • He ridiculed the ideal of colonial self-government as a political monstrosity, and propagated that the only ideal which India could accept was `absolute autonomy, an unqualified swaraj'.



Inspirational Prose


  • His prose was like a heady wine to the young radicals of Bengal. 
  • He organised nationalists in Bengal Congress and promoted their alliance with the extremists of Maharashtra led by Tilak. 
  • He gave a coherent and militant ideology to the agitation against the partition of Bengal. His activities earned him the implacable hostility of the British authorities. 
  • Aurobindo was prosecuted twice first in 1907 and again in 1908-09. 
  • In the latter prosecution he was one of the accused in the Maniktola Bomb conspiracy case but he was acquitted after a magnificent defence by Chittaranjan Das.

Sri Aurobindo resumed his political activities. But after a few months he suddenly withdrew from the Indian political stage leaving surprised his friends and foes alike.


  • In February 1910, he left for French settlement of Chander Nagar and then moved on to Pondicherry, where he spent the next 40 years.


Spritual Odyssey


  • He explains his sudden exit from politics that he got a very distinct 'adesh' (command) in this matter. "Before I cut connections entirely with politics, I knew from within that the work I had begun there was destined to be carried forward and that the ultimate triumph of the movement I had initiated was sure without my personal action or presence." 
  • His spiritual odyssey transformed his way of looking at the world. He was no longer prepared to condone violence for political or indeed for any ends.

At Pondicherry, he wrote vigorously. The `Synthesis of Yoga', the `Essays on the Gita', the `Secret of the Veda' and the `Human Cycle' are some eloquent testaments of his profound insights into life and reality. His writings are affirmations of spiritual truths and values. He found resort in Yoga - renunciation of ego and acceptance of God in life.

November 24, 1926 is the day of founding of Sri Aurobindo Ashram.




  • The `Mother', his associate, was the incharge of the community of Sadhaks that had been growing steadily around Sri Aurobindo and this spiritual collectivity made way for the Sri Aurobindo Ashram. 
  • In the beginning, children or families were not admitted to the Ashram. 
  • After the outbreak of the War, however, a large number of devotees sought refuge in the Ashram with their families. The Mother could not refuse them. 
  • Later it became unavoidable to start a school for children in 1943 which developed into the present Sri Aurobindo International Centre of Education, where Aurobindo's ideals and Mother's philosophy of education are being worked out.



In the beginning of 1950, Aurobindo started losing interest in his body and symptoms of the uraemia started to appear. He refused to intervene and let things take their course. Finally his soul left his mortal body on December 5, 1950.


Vision for a Free India


  • Sri Aurobindo was a man with a world-view. He saw the Independence of India as a phenomenon with a universal implication. In a free India, lied a whole new horizon for the world to be explored. 
  • On this day, his words were - "August 15th, 1947 is the birthday of free India, it marks for her the end of an old era, the beginning of a new age. But we can also make it by our life and acts as a free nation an important date in a new age opening for the whole world, for the political, social, cultural and spiritual future of humanity.
  • "August 15th is my own birthday and it is naturally gratifying to me that it should have assumed this vast significance.... Indeed, on this day I can watch almost all the world-movements which I hoped to see fulfilled in my lifetime, though then they looked like impracticable dream, arriving at a fruition or on their way to achievement. In all these movements free India may well play a large part and take a leading position.




  • "The first of these dreams was a revolutionary movement which would create a free and united India. India today is free but she has not achieved unity...
  • "Another dream was for the resurgence and liberation of the peoples of Asia and her return to her great role in the progress of human civilisation...
  • "The third dream was a world-union forming the basis of a fairer, brighter and nobler life for all mankind....

A new spirit of oneness will take hold of the human race.



  • "Another dream, the spiritual gift of India to the world, has already begun....
  • "The final dream was a step in evolution which would raise man to a higher and larger consciousness and begin the solution of the problems which have perplexed and vexed him since he first began to think and to dream of individual perfection and a perfect society......

Here too, if this evolution is to take place, since it must proceed through a growth of the spirit and the inner consciousness, the initiative can come from India and, although the scope must be universal, the central movement may be hers....

"Such is the content which I put into this date of India's liberation; whether or how far this hope will be justified depends upon the new and free India."

Tuesday, April 9, 2013

INDIAN CULTURE (PART -2 ---->>>> MISCELLANEOUS/CURRENT/GOVT INITIATIVES)


National Mission on Libraries 

launched
  • The National Knowledge Commission (NKC) in its Report to the Nation (2006-2009) made ten major recommendations on libraries. In pursuance of this, a High Level Committee to be called as National Mission on Libraries (NML) has been set up by the Government of India
  • The composition of the Committee, terms of reference, tenure, management support and method of operation has been elaborated in the Gazette of India (Part I Section I Number 20) issued by the Government on  4th May 2012*.
  •  Raja Rammohun Roy Library Foundation (RRRLF), an autonomous body under the Ministry of Culture will be the nodal agency for the National Mission on Libraries for administrative, logistics, planning and budgeting purposes.
  • The first meeting of the NML* was held on 18th May, 2012. In this meeting certain decisions have been taken for improvement in the library sector.
  •  These include: national census of libraries, content creation and setting up of community information centres, up-gradation of the existing public libraries, school and college libraries and use of school libraries as community libraries, and improvement in library and information science education training and research facilities.
  •  an amount of Rs.400.00 crore has been earmarked for NML Project for the Twelfth Five Year Plan and an amount of Rs. 50.00 crore has been proposed in the Annual Plan proposal for the year 2013-14. During 2012-13 an amount of Rs.3.00 crore has been earmarked and the expenditure incurred till date is Rs.24.86 lakhs. 
NML has also decided to set up Working Groups with domain experts to prepare an implementation plan. The Mission would be primarily an advisory body to endorse the plans and programs prepared by the Working Groups.
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Cultural Heritage Young Leadership Programme
  • aims to promote cultural awareness among school children, to develop a love for India’s rich cultural heritage.
  •  the focus is on the less-privileged children residing in backward areas through regional languages as a medium of communication as far as possible. 
  • The Scheme would broadly consist of distribution of existing audio-visual (AV) materials related to culture amongst schools, production of new AV material including publications related to culture. 
  •  It will support visits to monuments and museums by students of less-privileged schools. The financial assistance by the Ministry of Culture would consist of upto Rs. 5000/- per set of DVD in case of AV material; upto Rs. 1 lakh for production of CDs/DVDs/Publications for children and upto Rs. 500 per child, per trip in case of visits to monuments, which will include the cost of conveyance, food, entry fee for ticketed monuments/shows etc. Ministry of Culture may double this assistance in cases of exceptional merit.”
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 scheme of Financial Assistance for publication of magazines and journals
  • under the scheme Ministry of Culture will give financial support of upto Rs. 10 lakh a year, and in exceptional cases, upto Rs. 20 lakh ,to magazines and journals dedicated to India’s cultural heritage. 
  • scheme is intended to fill a gap being currently encountered in financial assistance for publication and support to journals and magazines dedicated to India’s culture and heritage. 
  • it will also cover publication of books on Indian culture and heritage. 
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  • 100th Anniversary of Indian Cinema was celebrated at the Cannes Film Festival
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 100th Birth Anniversary of eminent painter, Amrita Shergil

  • She was perhaps one of the earliest feminists in our country, celebrating the beauty and power of a women through her paintings. 
  • Amrita Shergil’s philosophy for life is best expressed in her own words: “I will enjoy my beauty because it is given for a short-time and joy is a short-lived thing”. 
  • Amrita Shergil’s art displayed a blend of European and Indian influences that was well ahead of her times. 
  • Her command over handling of oil medium and use of colour, as well as her vigorous brushwork and strong feeling for composition, were the marks of a genius. 
  • The Ministry of Culture in collaboration with the Department of Posts released a Special Cover to launch the birth centenary celebrations. The Special Cover has one of her most beautiful painting, printed on it. The painting on the Special Cover is entitled ‘Three Girls’. ‘Three Girls’ was painted in 1935 by Amrita Sher-Gil. It was the first painting after her return from Europe following her art studies in Paris. This painting won her a gold medal from the Bombay Art Society. A change in her visual language is observed when compared to that of her paintings done in Europe. The influence of Gauguin in the flattened treatment of figures is noteworthy. The use of red becomes predominant in her works thereafter.
  • Amrita Sher-Gil spent her short life of 28 years searching passionately for her own path, as a painter and as a woman, in art. 
  • The distinctive merit of her European oeuvre is the rich, sensual pictorial quality and the fact that, though raised in the tradition of European academicism at the Ecole des Beaux-Arts and French post-impressionism in Paris, as well as plein-air painting in Hungary, she revived and renewed her Indian painting heritage as a living source of inspiration in her work. 
  • Later, independent of all ‘modern-isms’, she created her own world of painting. The works embody a heightened intensity of colour and form, with its individual themes, its objectivity and subjectivity and can be considered the creator of Indian modernism. 
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3-Day International Seminar on Rajasthani Miniature Painting in New Delhi 
  • participation of eminent art historians and scholars from India and abroad. 
Miniature Painting
  • Miniatures paintings are beautiful handmade paintings, which are quite colorful but small in size. 
  • The highlight of these paintings is the intricate and delicate brushwork, which lends them a unique identity.
  • The colors are handmade, from minerals, vegetables, precious stones, indigo, conch shells, pure gold and silver.
  •  The most common theme of the Miniature painting of India comprises of the Ragas i.e., the musical codes of Indian classical music.
History of Miniature Painting in India
  • The evolution of Indian Miniatures paintings started in the Western Himalayas, around the 17th century. 
  • These paintings were highly influenced by the mural paintings that originated during the later half of the 18th century. 
  • During the time of the Muslim kings of the Deccan and Malwa as well as the Hindu Rajas of Rajasthan, this art flourished to quite an extent. 
  • Infact, the Mughals were responsible for introducing Persian tradition in the Miniature paintings of India.
Western Indian miniature painting
  • In western India between the 10th to 12th century miniature painting developed. 
  • These small paintings were part of manuscripts written at the time and illustrate the subjects of the manuscripts. 
  • These miniatures are found in some Hindu and Jaina manuscripts and are of 2 to 4 inches in size. 
  • During 12th to 17th century western Indian miniature paintings flourish very rich. 
  • Modern western Indian states; Gujarat state and Rajasthan state were integrated into western India of that time. Particular manuscript miniature painting developed in the western part of India that is modern state of Gujarat. From 17th century "Rajput miniature painting " developed in the western part of India that is modern western state of Rajasthan.
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Protection of Native Languages and 

Cultures
  •  the UNESCO in its 2009 Report on Language Endangerment has listed 196 Indian languages/mother tongues facing different levels of endangerment. However, all of them are not endangered.
  • a scheme for protection and preservation of 520 languages/mother tongues spoken by less than 10000 persons, in order of increasing number of speakers starting from the languages having the least number of speakers, is implemented by the Central Institute of Indian Languages (CIIL), Mysore for the 12th Five Year Plan period.  

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National Culture Fund
  • The National Culture Fund was established by the Ministry of Culture in 1996 as a Trust under the Charitable Endowments Act. 1890. 
  • NCF`s primary mandate is to establish and nurture Public Private Partnerships (PPP) in the field of heritage. 
  • NCF`s role is to catalyze relationships between private, public, government, non-government agencies, private institutions and foundations and mobilize resources for the restoration, conservation, protection and development of India`s rich, natural, tangible and intangible heritage. 
  • NCF provides donors with 100% tax benefit under section 80G (2) of the Income Tax Act and acknowledges the generous contributions of the donor. 
  • Presently, NCF already has such partnerships for the conservation of monuments with some Public Sector Undertakings like the NTPC, ONGC, SAIL, IOC, HUDCO, REC etc and also with Private sector companies. 
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National Council of Science Museums (NCSM)
  •  24 Science Centres have been developed and are run by National Council of Science Museums (NCSM), an autonomous organization under the Ministry of Culture. 
  • In addition, 16 Science Centres,   developed by NCSM, are run by State/UT authorities. 
  • The function of a science centre is to develop scientific attitude and temper and to create, inculcate and sustain a general awareness amongst the people.
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Scholarship by CCRT for Maintaining Indian Culture
  • the amount of scholarship given to students to maintain Indian culture for art, music, dance, etc. by the Centre for Cultural Resources and Training (CCRT) is Rs.3600/- per year per student. 
  • In addition to this, actual tuition fee paid for the specialized training to the institution or to the Guru/Teacher is also reimbursed up to ceiling of Rs.9000/- per year. 
  •  on the recommendation of the Executive Committee, a sub-Committee was constituted by CCRT to review Cultural Talent Search Scholarship Scheme.  The said Committee in its report recommended for increase of the amount of scholarships to Rs.12000/- per year per child and the tuition fee for the specialized training to the institution or to the Guru/Teacher to Rs.18000/- per year.  However, no recommendation was made by the Committee towards increase in the number of scholarship to be awarded each year.  
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 Year-Long Campaign on ‘Cultural Barriers in Women’s Health’ 

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 Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal. 

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President Conferred first ever Tagore Award for Cultural Harmony, 2012 on Sitar Maestro Late PT. Ravi Shankar 
  •  It is an International Award with prize money of Rs. 1 Crore for promoting values of Cultural Harmony.
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Nomination of Majuli Island as World Heritage Site

 the following nomination dossiers have been submitted to the World Heritage Centre for inscription in the World Heritage List of UNESCO in the last three years: by IndiA

2010:
  1. Shantiniketan
  2. Western Ghats (Natural/Mixed)

2011:
  1. Hill Forts of Rajasthan
  2. Qutb Shahi Monuments of Hyderabad

2012:
      1. Qutb Shahi Monuments of Hyderabad
      2. Majuli Island
      3. Great Himalayan National Park (Natural/Mixed)

2013:
1. Rani-ki-Vav
2. Khangchendzonga National Park (Natural/Mixed)

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Setting up Cultural 


Centres


  • Government has set up seven Zonal Cultural Centres (ZCCs) having their headquarters at Patiala, Udaipur, Allahabad, Kolkata,Dimapur, Nagpur and Thanjavur. 
  • The main objective of the ZCCs is the preservation, promotion and dissemination of the traditional folk arts and culture of the various States/ UTs.  
  • The ZCCs endeavor to develop and promote the rich diversity and uniqueness of various arts of the Zone and to upgrade and enrich consciousness of the people about  their  cultural  heritage. 
  • The ZCCs have been carrying out various activities and organizing programmes at the national, zonal and local levels in accordance with their aims and objectives implemented through following schemes:–





1. National Cultural Exchange Programme
2. Guru Shishya Parampara Scheme 
3. Young Talented Artistes Scheme
4. Documentation of Vanishing Art Forms
5. Theatre Rejuvenation Scheme
6. Shilpagram Activities 
7. Loktarang – National Folk Dance Festival, OCTAVE -Festival of  the North East.



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‘The World of Khusrau’ Exhibition at National Museum, New Delhi



  • The rich and diverse range of Amir Khusrau’s work in culture, science and art provides an understanding of the art and culture of the 13th -14th century era of Amir Khusrau Dehlvi and their continuity into present day India. It elaborates the foundation of a vital chord of Indian heritage, history, and culture which has produced an amazing range of works of art from architecture to music thus putting the multi-faceted contributions of Amir Khusrau in contemporary context with a diverse array of related objects and visuals from the collection of National Museum and contemporary sources. 
Amir Khusrau, one of the greatest poets of this region, lived in the period which saw an amazing influx of scholars, poets, artisans, Sufis, travellers, and merchants from Persianate Central Asia.


  • He saw the merging of two great civilizations and wove them so beautifully in his literary works
  • He served as a court poet to several nobles and Sultans of Delhi Sultanates between 13th and 14th centuries: recording their battles and guiding their political campaigns; praising them eloquently in metaphors and analogies of Persian literature adapted within Indian imageries; creating governance norms and ethics; making discourses and innovations in science and music; writing epic historical and love poems; and, as a devout of Hazrat Nizamuddin Auliya, the revered 13/14th century Chishti Sufi of Delhi, he gave to us the vibrant artistic traditions of Sufiana music and poetry – which continue till today in many oral traditions ranging from the classical to the folk. 

Amir Khusrau Dehlvi saw the merging of two great civilizations and wove them so beautifully in his literary works that they even surpassed the masters from Persia and Central Asia.

The World of Amir Khusrau exhibition is conceived in conjunction with the Jashn-e-Khusrau – a festival of music concerts, films, lectures, exhibitions, heritage walks, and poem recitals – celebrating the many legends, attributions, contributions and his beloved place (city of Dehli) of the 13th century historian, poet, mystic, and musician – Amir Khusrau. 


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National Culture Fund, Rural Electrification Corporation (REC) and Sewa Federation Sign Memorandum of Agreement for Reviving Crafts Heritage and providing sustainable livelihood to the Artisans 

a) To help women artisans of the informal sector achieve economic security through traditional livelihoods; 

     b) To promote greater awareness, acceptance and demand for local arts and crafts; and

     c) To revive and restore the crafts centre. 


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Rural Electrification Corporation (REC)
  • is a listed NAVRATNA Central Public Sector Enterprise under Ministry of Power. 
  • REC is engaged in providing financial assistance to Central/State Power Utilities for Generation, Transmission & Distribution Projects and nodal agency for implementation of Rajiv Gandhi Grameen Vidyutikaran Yojana (RGGVY) Schemes including DDG Schemes and Renewable Energy Projects all across the country. 

Self Employed Women’s Association (SEWA)
 
  • was established in 1992 to facilitate the empowerment of self employed women workers within the cooperative framework. 
  • SEWA’s members are home-based workers, small producers, street vendors, manual labourers and service providers including agricultural labourers and construction workers. 
  • SEWA’s main goals are to organize the women workers for full employment and self-reliance. 

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 Shri Kalyan Kumar Chakravarty ------------ Chairman of Lalit Kala Akademi  (recent appoinment)


 Lalit Kala Akademi
  • To promote and propagate understanding of Indian art, both within and outside the country, the Government established Lalit Kala Akademi (National Akademi of Fine Arts) at New Delhi in 1954. 
  • To decentralise its activities, the Akademi has set up regional centres called Rashtriya Lalit Kala Kendra at Lucknow, Calcutta, Chennai and Bhubaneswar as well as a small office at Mumbai.
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Gandhi-Kallenbach Papers’ Exhibition 

Herman Kallenbach
  • Herman Kallenbach (1871-1945) was one of the foremost friends and associates of Mahatma Gandhi while they were working in South Africa. 
  • A German born Jewish South African architect, Kallenbach was greatly influenced by Gandhiji’s views on Satyagraha and donated his thousand acre farm to Gandhiji near Johannesburg, which was developed as “Tolstoy Farm” housing the families of Satyagrahis
  • It became the laboratory for experimenting Gandhian Philosophy, i.e. simple lifestyle, vegetarian diet, social equality, politics and self-sustained economy. 
  • Kallenbach remain involved with Gandhiji throughout the Satyagraha in South Africa and also accompanied Gandhiji and Kasturba Gandhi on their final voyage from South Africa to London in 1914. 
  • Gandhiji and Kallenbach used to call each other as “Upper House” and “Lower House” respectively, Lower House preparing the budget and Upper House vetoing it in large chunks.
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